pressSIGN-Pro is a G7® Certified System that measures, controls, monitors and evaluates the colour printing process for litho, digital, flexo and gravure.
pressSIGN-Pro features a complete set of analysis tools to improve press and operator performance identifying issues of both quality and wastage.
Each pressSIGN-Pro installation includes the pressSIGN-Pro server, pressSIGN-Pro client, a pressSIGN-Trends client and pressSIGN-Mobile client. Additional clients can be purchased.
G7 has become the de facto methodology for attaining consistent color results. But all too ofter, the G7 qualification run is a once-a-year event rarely duplicated during daily production. PressSIGN is a G7 certified system that enables printers to attain and maintain G7 on every print job and no need for wasteful fingerprint runs. Track G7 gray balance on every job. Create NPDC gray balance curves and import them into every rip and workflow on the planet. Make G7 a daily reality, not a once-a-year special event.
PressSIGN scores both CMYK and spot colors for all printing conditions, including solid ink LAB values, TVI, Gray Balance, Overprint and more.
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Author Archives: glenn
We know why average printers struggle with standards and consistency; but why do the highest-quality printers sometimes find the same issues so challenging? It’s easy to understand why mediocre printers have difficulty hitting print standards. They frequently lack the required … Continue reading
It’s understood that print buyers are concerned with quality and price, and printers are concerned with efficiency and profitability; but a recent presentation by Martine Padilla made me realize that these goals are not only not in conflict, but are … Continue reading
The ISO 3664 lighting standard was meant to give a more realistic simulation of real-world viewing conditions by increasing the amount of activity in UV spectral regions. Mission accomplished; but it has also revealed long-standing issues in proof-press matching that … Continue reading
For prepress managers, “One good sheet to the numbers” is often all they need to help press operators get better results via corrective plate curves. So why is it so hard to get one? I take a look at that question … Continue reading
You’d think that printers would have had enough of inadequate process control practices. But I look around me and I see it isn’t so. Oh no…Printers may be focusing on expanding into new services even as they let their core … Continue reading
After years on opposite sides of the wall, press and prep departments are forging new bonds, and it’s a beautiful thing. Everybody who has seen “Casablanca” at least once (and isn’t that everybody?) remembers the last line of the movie … Continue reading
By now, recycling is a given for nearly all responsible printers. Additional and even more significant gains in sustainability can be achieved by becoming more efficient and reducing waste from the start. I recently visited a very large packaging printer, … Continue reading
Some printers balk at investing in themselves because they see print as a shrinking industry, and they chose to ride it out to its soon-to-come demise rather than take a chance spending money to improve their process and become leaders … Continue reading
It seems only yesterday that debate raged, or at least quietly burbled, regarding plate curves and color bars. “Should color bars be curved, or should they be linear?” was the question that inquiring minds wanted to know. Happily, that question … Continue reading
A big part of what I do as a color consultant involves helping printers to achieve better quality and efficiency through process control, color management and enhanced communication. Not all printers understand the need at first, but most do finally … Continue reading
Hat tip to Brian Lawler for posting this photo of female press operators at California Polytechnic State University, San Luis Obispo on his blog. The six P’s of presswork and putting them all together A recent internet discussion asked the question: … Continue reading
(And how is a box different from a poster?) I worked for many years with print buyers from the entertainment industry-those hip and trendy people who bridge the space between the glamor world of Hollywood and the grubby trenches … Continue reading
The most frustrating continuing problem in the fabric and garment field is color matching. I’m not talking here about matching solid colors in large-scale textile production, which is a separate problem. I mean matching the designer’s intention when printing patterns … Continue reading