pressSIGN-Pro is a G7® Certified System that measures, controls, monitors and evaluates the colour printing process for litho, digital, flexo and gravure.
pressSIGN-Pro features a complete set of analysis tools to improve press and operator performance identifying issues of both quality and wastage.
Each pressSIGN-Pro installation includes the pressSIGN-Pro server, pressSIGN-Pro client, a pressSIGN-Trends client and pressSIGN-Mobile client. Additional clients can be purchased.
G7 has become the de facto methodology for attaining consistent color results. But all too ofter, the G7 qualification run is a once-a-year event rarely duplicated during daily production. PressSIGN is a G7 certified system that enables printers to attain and maintain G7 on every print job and no need for wasteful fingerprint runs. Track G7 gray balance on every job. Create NPDC gray balance curves and import them into every rip and workflow on the planet. Make G7 a daily reality, not a once-a-year special event.
PressSIGN scores both CMYK and spot colors for all printing conditions, including solid ink LAB values, TVI, Gray Balance, Overprint and more.
Category Archives: Prepress
FM screening is prized by high-quality printers because of the enhanced detail and expanded midrange color gamut it offers, but color matching to a conventional proof can be frustrating. Even though modern inkjet proofs use FM screening and show no … Continue reading
I was talking about press and prep issues the other day with my friend Larry Erwin, a trade veteran with 40 years of experience in and around pressrooms, and I mentioned to him that I thought that communication between press … Continue reading
The ISO 3664 lighting standard was meant to give a more realistic simulation of real-world viewing conditions by increasing the amount of activity in UV spectral regions. Mission accomplished; but it has also revealed long-standing issues in proof-press matching that … Continue reading
For prepress managers, “One good sheet to the numbers” is often all they need to help press operators get better results via corrective plate curves. So why is it so hard to get one? I take a look at that question … Continue reading
After years on opposite sides of the wall, press and prep departments are forging new bonds, and it’s a beautiful thing. Everybody who has seen “Casablanca” at least once (and isn’t that everybody?) remembers the last line of the movie … Continue reading
It seems only yesterday that debate raged, or at least quietly burbled, regarding plate curves and color bars. “Should color bars be curved, or should they be linear?” was the question that inquiring minds wanted to know. Happily, that question … Continue reading
A big part of what I do as a color consultant involves helping printers to achieve better quality and efficiency through process control, color management and enhanced communication. Not all printers understand the need at first, but most do finally … Continue reading
Hat tip to Brian Lawler for posting this photo of female press operators at California Polytechnic State University, San Luis Obispo on his blog. The six P’s of presswork and putting them all together A recent internet discussion asked the question: … Continue reading
Printing seems like a world apart from the competitive world of NASCAR racing, but a recent conversation with a friend convinced me that the two have something very surprising in common. My friend works in the quality control department … Continue reading