Category Archives: Gray Balance

AM proofs and FM Presses: Resolving the Differences: Part 3 of 3

FM screening is prized by high-quality printers because of the enhanced detail and expanded midrange color gamut it offers, but color matching to a conventional proof can be frustrating. Even though modern inkjet proofs use FM screening and show no … Continue reading

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AM Proofs and FM Presses: Resolving the Color Differences-part 2 of 3

The first installment of this series showed why offset printing using FM screening cannot completely match proofs based on a conventional AM-based GRACoL proof. The mismatch can’t be fixed with curves, but it can be resolved with device-link profiles. We … Continue reading

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AM proofs and FM Presses: Resolving the Color Differences Part 1 of 3

FM screening makes it possible to create printing of ultra-premium quality: not only does it result in a print with no visible dots, but it also creates colors with greater purity and saturation, particularly in the quarter to middle tone … Continue reading

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How Many Colors Do You Need?

Most printers and print buyers are familiar with color bars used to maintain quality, but how many color patches do you really need? And which ones? How do we find the balance between not enough information and too much? The … Continue reading

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Should Color Bars be Optimized?

It seems only yesterday that debate raged, or at least quietly burbled, regarding plate curves and color bars. “Should color bars be curved, or should they be linear?” was the question that inquiring minds wanted to know. Happily, that question … Continue reading

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Press Cycles

  By now, if you have been paying attention, you have probably come to realize that an offset printing press cannot be controlled through density alone.  The success of the G7 process has demonstrated that gray balance is the single … Continue reading

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